These Yamaha "Natural Sound" components are well worth their price in today's market. The Natural Sound line combines highly sophisticated circuit design, for minimum distortion and noise, with some unusual control features. However, since we found no measurable or audible changes in distortion (or anything else) when this button was pressed or released, the point is moot. The M-80 power amplifier, as its weight of over 50 pounds implies, is not an amplifier to be taken lightly. But the action of the Yamaha circuit is really undetectable except when it is doing what it is meant to do. Even with 4-ohm loads the distortion never exceeded 0.01 percent, and with 2-ohm loads it rose from less than 0.001 percent at a few watts to 0.02 percent at 300 watts and 0.15 percent at 400 watts. Design and Content © HiFi Engine 2006-2020, Vinyl Engine | FAQ | Site Policy | Cookie Options. $149.99 by Amazon; View price information > Not satisfied with those reviews? It is difficult to take exception to any aspect of the performance of the Yamaha C-80 and M-80. The graph shows the treble control's maximum boost at maximum bandwidth when dialed to frequencies of 800, 4,500, and 20,000 Hz and the bass control's maximum cut at minimum bandwidth when dialed to 31.5, 150, and 800 Hz. CX-1. Request a new review. It wasn't even practical to drive both channels simultaneously into 2-ohm loads, since this overloaded our 15-ampere test-bench power system! The audible results are solely up to the patience and listening judgment of the user. Also, we cannot understand why the M-80 had a "Auto Class-A Power" switch at all. Given Yamaha's emphasis on the low-distortion circuitry of the M-80, we should not have been too surprised at the results of our distortion measurements. Among its special features is a switchable "Auto Class A Power" circuit that is supposed to operate the output transistors in Class A (for minimum distortion) at low power levels and make an imperceptible transition to Class AB as more power is required. We did not make any measurements of the illuminated power indicators except to verify that in their peak mode they held the highest reading for an indefinitely long period (many minutes), and that the load buttons changed the indicator sensitivity by approximately the correct amount to read the power into loads of 2, 4, or 8 ohms. Driving one channel, the clipping power was 612 watts, and the dynamic power was a staggering 1045 watts. We tested them together, and they performed very well indeed. Comments . Reviews. Yamaha C-80 and Yamaha M-80 From the top of Yamaha's "Natural Sound" line of audio separates come the C-80 preamplifier (Yamaha prefers to call it a "control amplifier") and the M-80 power amplifier. By and large, they come as close to being ideal audio signal amplifying components as any we have seen (and heard). For the inveterate "knob twiddler," however, the C-80 should be an ideal choice. All files are provided under strict licence and reproduction without prior permission or for financial gain is strictly prohibited. For our part, even using conventional tone controls involves more "fiddling" than we care for, so these controls would probably get little from us. For some people, the parametric tone controls may be even more important. At the loudness knob's maximum setting, the response is flat and the volume control can be set for the loudest level at which one expects to listen. User login. They can be purchased and used separately, but their all-black finishes harmonize, and the preamp can be stacked on top of the power amp. It weighs 15 pounds. zangsax Working flawlessly for 26 yrs so far. All user reviews for the Yamaha C-40. Yamaha Pre Amplifiers. The phono (MM) input overloaded at safely high levels over the entire audio-frequency range. Yamaha literature also emphasizes the special circuitry used to reduce noise and distortion in its phono input stage. Pre-Preamp burnt the CCT board to ruin the stage. The price of each unit is $750. Outstanding! The frequency response of the C-80 was ruler-flat over most of the audible range, and its RIAA phono equalization was not affected significantly by the presence of the cartridge inductance at the phono input. Poor Build quality compared to M-80
We made several response plots to measure the limits of the controls' effects. If you have any problems opening files please read the download FAQ. Its top became very hot (above the internal heat sinks) during the one-hour preconditioning and the following high-power tests, but it was no more than moderately warm in normal use. The Yamaha C-80 is 17-1/8 inches wide, 15 inches deep, and 3-3/4 inches high. The M-80, 17-1/8 inches wide, 16-3/4 inches deep, and 6-1/2 inches high, weighs a little over 50 pounds. C-65. The phono input impedance in the moving magnet (or MM) mode measured 48,000 ohms at 1,000 Hz, though it could not be modeled by a simple parallel combination of a resistance and capacitance. C-70. The bandwidth parameter, adjustable from 0.3 to 3, varies the width of the affected portion of the spectrum. From the top of Yamaha's "Natural Sound" line of audio separates come the C-80 preamplifier (Yamaha prefers to call it a "control amplifier") and the M-80 power amplifier. Reviewed Oct 27th, 2019 by . The loudness compensation was far and away the best we have used, so ideal in its operation that more than once when listening at very low levels we were surprised to hear solid organ or drum sounds in the low bass that should not have been audible at those levels. Both the M-80 and the C-80 employ what Yamaha calls "Zero Distortion Rule" circuits, apparently a combination of feedback and feedforward techniques that, in theory, can reduce distortion to zero. As the data in the table show, its output clipped at a very high level, and at any output up to the clipping point the 1,000-Hz distortion was extremely low. Login/Register. We tested the C-80 preamplifier while driving a standard IHF load (10,000 ohms in parallel with 1,000 picofarads). Sort by. Every signal connector is gold-plated, as are the plugs on the twin shielded cable supplied with the C-80 for connection to the M-80. 11/24/2004. As the loudness setting is reduced, the overall level goes down but the sound remains solid and well balanced, without a trace of the heaviness added by almost every other loudness control we have used. DaddyCoolDell Poor Build quality compared to M-80 Pre-Preamp burnt the CCT board to ruin the stage. And it sounded great. The parametric tone controls of the C-80 proved capable of response modifications far exceeding the ability of conventional tone controls. Finally, we came to the 2-ohm measurement, the nemesis of so many amplifiers. They can be purchased and used separately, but their all-black finishes harmonize, and the preamp can be stacked on top of the power amp. The M-80 is an extremely powerful amplifier, differing from most (especially those of Japanese origin) in having ratings for driving loads as low as 2 ohms. The M-80's power performance into 8-ohm loads was quite impressive, but the really special qualities of the amplifier became more apparent when we drove lower impedance loads. If you have additional documentation please consider donating a copy to our free archive. This website is not affiliated with or sponsored by Yamaha. Interestingly, we could measure no difference in distortion when we switched on the "Auto Class-A" circuit, even at low power levels of a watt or less. There are even fewer nits to pick concerning the C-80 preamplifier. Reviewed Jan 05th, 2017 by . They were indeed difficult and time-consuming to make, since the 1,000-Hz THD of this amplifier (driving 8-ohm loads) was less than 0.0025 percent up to the clipping point, and typically well under 0.001 percent. The amplifier was stable when driving reactive simulated speaker loads and the standard IHF reactive load. The C-80 tone controls can easily simulate the action of conventional tone controls as well as giving a near-infinite variety of other response curves not obtainable with any but parametric controls. Some other loudness controls might also have made these sounds audible, but they would have left their mark in the form of intolerably unnatural voice quality. Even the price of these units, though hardly insignificant, is far from the stratospheric levels of many high-end components. Login or register to post reviews. All the controls operate with smoothness and precision as well as electrical silence. C-85. There could be no conceivable reason to switch off a circuit that produced the benefits claimed for this one. Each (bass and treble) has three adjustments: level (boost or cut over a ± 12-dB range, with a flat-response center-detented position), center frequency (continuously variable over a range of 31.5 Hz to 800 Hz for the bass control, and from 800 Hz to 20,000 Hz for the treble), and "Q" or bandwidth. The C-80 has at least two of them: parametric tone controls and a continuously variable loudness control with an unconventional response characteristic. For example, its dynamic headroom into 4 ohms was no less than 3.78 dB, with short-term power getting up to 787 watts per channel. Surprisingly, although Yamaha makes a point of the ability of the speaker connectors to accept oversized, heavy-duty speaker wires, they cannot be used with the Monster Cable Xterminator plugs or standard banana plugs. The attention to detail in these products is impressive. Like; Tweet; Submit; Average Score: 4.5 ( 4.5/5 based on 2 reviews ) 1 user review: 50 % : 1 user review: 50 %: Buy this product. To purchase C-80 spares or accessories, please contact the company via their website or visit an authorised retailer. Our members also liked: Nad C372; Pioneer VSX-808RDS; Yamaha A-S500; View price information. It is a superb unit, as undaunting in appearance as any we have seen when its hinged panel is closed, yet as versatile as any when it is open. Input sensitivity: 0.1mV (MC), 2.5mV (MM), 150mV (line), Signal to noise ratio: 91dB (MC), 95dB (MM), 106dB (line), Channel separation: 70dB (MM), 50dB (line), Output: 150mV (line), 1.5V (Pre out), 8.5V (Pre out Max), instruction/owners manual - Esteban Bikic. I have had several different Yamaha preamps-the C4,C70,c85 and the C1. Difficult to take exception to any aspect of the affected portion of the Yamaha C-80 is 17-1/8 inches,... Reactive load so many amplifiers ( MM ) input overloaded at safely high levels over the entire range... Yamaha preamps-the C4, C70, c85 and the dynamic power was 612 watts, and 6-1/2 inches high weighs. 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