Do you own a full-frame Nikon DSLR camera body, but don’t know which lens to buy? | DX Equivalent: 42-450mm. It’s got a SWM for quiet focusing, two extra-low dispersion glass elements, and a nano crystal coating to reduce reflection. It’s one of the lightest lenses on this list and offers great sharpness, fast autofocus, and respectable bokeh, all for just over $500. When evaluating sharpness, many lenses are strong at the center part of the image, but this can change dramatically as you move toward the edges of the frame (edge-to-edge and corner sharpness are commonly-used terms in the industry). You can use a DX lens on a full frame Nikon camera. With a silent wave internal motor, this lens provides a silent and accurate focus. It’s as fast as Nikon’s lens, and you can even use it for astrophotography. | DX Equivalent: 75mm. Tamron USD; generic; Tamron PZD; more Type. The first thing to consider when choosing a lens is the kind of photography you will be shooting: a clear idea of the intended use is fundamental to making the right choice. Here is an example of what you see with a Nikon 18-200mm f/3.5-5.6G DX VR lens on a Nikon FX camera (single frame from a HD video sequence recorded with a Nikon D600): The bad news is that high quality FX lenses like Nikon’s golden “trinity” are intimidatingly expensive, big and heavy. An old photography dichotomy is that professionals use prime lenses and amateurs use zoom lenses. The result is a compromised image that is a disservice to your expensive FX camera. For both types of photography, autofocus is reasonably fast in most circumstances, and low light performance is on par with other lenses of this type. Many lenses have tiny motors that help stabilize the image when shooting by hand, and depending on the situation, this can buy you a stop or two of performance. However, only the center of the image will be recorded because the camera automatically selects a crop mode whenever a DX lens is attached. However, we can’t help but love the creamy bokeh and incredibly crisp images produced by the Nikon f/2.8E. Plus, it’s super sharp and having a wide-angle prime that can open up to f/1.8 is a must-have for serious night sky shooters. Get the best deals on Tamron Fixed/Prime Camera Lenses for Nikon when you shop the largest online selection at eBay.com. | VR: Yes. And for a lighter and cheaper prime option, see the Nikon 20mm f/1.8 above. As we mentioned above, this is a lens built for professionals and enthusiasts and there are reasonable alternatives. You can opt for the Nikon 35mm f/1.8 below, but we jump at the opportunity to shoot at f/1.4 whenever possible, especially if you use at this focal length frequently. This is measured primarily by aperture, or the amount of light that a lens is able to let through. You still can shoot handheld photos in low light, we’ve seen plenty of examples of creamy bokeh, and the f/1.8 weighs 8 ounces less. Prime lenses produce less distortion than zoom lenses, however, with super-wide-angle lenses (like a fisheye), natural distortion is unavoidable. Nevertheless, a good number of people love carrying one lens, and for them, the Nikon 28-300mm is the ticket.See the Nikon 28-300mm f/3.5-5.6G VR. Its extra-wide aperture ensures optimal results even when light conditions are bad. One of the more lightweight and compact of the Nikon FX lenses, and fits into any bag or camera backpack without adding too much weight. Weight: 667g. Below are 10 of the best FX lens models from wide angle and portrait to telephoto, along with 7 more that just missed the cut. The first, less expensive lens has an f/2.8 aperture, and this one has an f/1.8. Similar to other third-party lenses used on Nikon camera bodies, autofocus can be an annoyance with the Sigma 35mm f/1.4 (it’s also made for Canon and Sony cameras, so the one-size-fits-all build has its shortcomings). An outstanding choice for FX- and DX-format cameras The AF-S NIKKOR 50mm f/1.4G offers supreme performance on our DSLRs. ED glass and aspherical lens elements correct chromatic aberrations, and Nikon’s anti-reflective Nano Crystal Coat combats ghosting and flare. Despite the size and cost, they are the... Jason Hummel is a leading adventure photographer and ski mountaineer based in Tacoma, Washington. That means you’ll find some nice budget lenses on this list like the 50mm f/1.8 and telephoto 70-300mm f/4.5-5.6 that make full-frame photography much more accessible. Many non-prime, pro-level lenses have image stabilization while budget lenses like the Nikon 18-35mm f/3.5-5.6 do not. Most pro-level lenses are at or below an f/2.8 maximum aperture (f/2.8, f/1.8 and f/1.4, for example), and many inexpensive zoom lenses are f/3.5 and above. The 70-200mm f/2.8 is a staple for many professionals—it’s great for everything from portraits to outdoor photography. Prime lenses tend to be the fastest at focusing as they have the least internal complexity. This lens is also FX (full-frame) compatible, so should you find you upgrade later down the line, you can use it as a wide-angle prime, without being limited only to 'crop mode'. Birdwatchers and wildlife photographers would go for a telephoto lens which allows them to discreetly shoot animals from a distance. Here is a summary of the best Nikon FX lenses for comparison: Weight: 1070g. Landscape and architecture photographers will prefer wide-angle lenses to include more of the scene in the frame. The 16-35mm is Nikon's sharpest ultrawide zoom ever, and moderately priced. With an autofocus system engineered for close-up photography and an image stabilization feature that limits the risk of blur, you can expect superb sharpness and beautiful bokeh. Vast, detailed technical specifications can also be tricky to understand. Sigma has always produced reliable third-party lenses, but with the launch of their Art line, the Japanese manufacturer has stepped up its game. See the Nikon 105mm f/2.8G Micro. Keep in mind that this is an extraordinarily bulky and heavy lens. See the Sigma 14-24mm f/2.8 DG. In addition, distortion is fairly heavy from wide angle throughout its zoom range. I find the 16-35mm a little sharper and much smaller and much more practical, but consider the 14-24mm if you need f/2.8 or 14mm. Interestingly, Nikon has released an even less expensive wide-angle zoom in the 18-35mm f/3.5-5.6, which currently retails for around $750. It’s a shame since 35mm is a great middle-ground for shooters interested in ambient portraits, landscapes, and urban photography. Weight: 1428g. The 36.3-megapixel D810 is Nikon's top full-frame digital SLR and can produce professional images and videos in almost all conditions. On this list, for example, some of the heavier zoom lenses like the Nikon 24-70 f/2.8E VR are well over 2 pounds. It’s not intended to, however, and is literally about one quarter the price and significantly lighter. It’s not super sharp at any particular focal length, and is particularly soft at the ends. We also like the sturdy metal build, which adds weight to the lens but makes you feel like you will own it for many years to come (provided you take good care of it, of course). With impressive sharpness and a minimum focusing distance of just over 12 inches, this lens can handle the vast majority of your full-frame macro needs. | Filter Size: 95mm. If you have a Nikon DX camera and are considering a prime lens, get the Nikon 50mm f/1.8D and don’t even think twice. If the devil really is in the detail, this lens will soon expose him Focal length: 105mm Aperture range: f/2.8 to f/32 Autofocus motor: Ring-type ultrasonic Minimum focus distance: 0.31m Maximum magnification factor: 1.0x Image stabilizer: Yes The f/1.2 maximum aperture opens up your possibilities when available light is in short supply. All in all, the 200-500mm isn’t perfect, but it’s a fun lens and a heckuva value. The images are super sharp thanks to the 12 group construction, and with the integrated vibration reduction system, you are guaranteed blur-free pictures. FX lenses are made for full frame SLR cameras. We think both are excellent lenses and the choice probably should come down to whether or not you want VR. Enter the Sigma 14-24mm f/2.8, which offers the same focal length range and fast maximum aperture as the Nikon at a significant discount. The other native option at this focal length is the Nikon 35mm f/1.4, but at around $1,500, it’s too pricey for our tastes.See the Nikon 35mm f/1.8G. The nanocrystal coating on the glass eliminates the risk of ghosting or flare, creating high-contrast images with realistic colors. Sports lens; Travel lens; more Lens mounts. The lens has a solid build and the two extra-low dispersion elements ensure that the risk of chromatic aberration is kept to a minimum. | Filter Size: 77mm. In addition, Zeiss has a number of premium manual focus primes like the Milvus 21mm f/2.8. Further, this lens has a lot of plastic in the build, and while plenty durable, it might not instill a feeling of confidence for those who are used to higher-quality materials and more metal. Category: TelephotoWeight: 50.4 oz.What we like: Sharper, lighter, and focuses better than the older “G” version.What we don’t: Pricey and heavy. But this does help keep the price and weight low, two of the main reasons we like it. The Nikon AF-S NIKKOR 70-200mm f2.8E FL ED VR is a fast, telephoto lens which is ideal for anyone needing a fast zoom (sports photography, wildlife photography, wedding photography and even portraits). We think it’s a stand-out for a few reasons: it’s sharp, has minimal distortion, and features a fast maximum aperture of f/2.8, which is no small feat for an ultra-wide-angle zoom. All of our lens picks above have autofocus, but it’s worth noting that it’s easy to switch over to manual. Wide-angle lenses have the most distortion of any type. And the 50mm f/1.4G happens to be one of Nikon’s top prime lenses: it’s sharp, performs extremely well in low light, has fast and accurate autofocus in most circumstances, and impressive bokeh. This is a common problem with super telephoto zooms: primes often are faster like the Nikon 400mm f/2.8E, but that lens runs more than $11,000 (no, that is not a misprint). On film cameras with a DX lens fitted, a black circle will be visible around the edges of the frame. Zoom lenses are not as effective as prime lenses in low light conditions, but they are more versatile as they can cover multiple focal lengths. | DX Equivalent: 225-900mm. But given the hefty $1,600 price tag, the f/1.8 is the better value and not too far behind in terms of image quality. Category: Travel/portraitWeight: 37.7 oz.What we like: Adds vibration reduction to an already exceptional lens.What we don’t: Some people think the "E" is slightly less sharp at the center than the older “G” version. And the Nikon 20mm f/1.8 is an interesting prime option that is the lightest and least expensive of the bunch. It’ll save you about $400 but has considerably slower autofocus.See the Nikon 85mm f/1.8G. Thanks to its stellar image sharpness, blazing fast autofocus, and superb build quality, the Nikon AF-S FX Nikkor 24-70mm f/2.8G is our choice for the best travel lens for professional Nikon photographers. This lens is optimized for edge-to-edge sharpness and enhanced with ED (Extra-low Dispersion) Magic glass to get sharper images and better light transmission. | DX Equivalent: 18-36mm. The wide aperture guarantees great low light performance and thanks to the Vibration Reduction system, images will not blur even at lower f-stops. When choosing lenses for the Nikon 810, keep in mind that the camera's high resolution... Landscape photographer Jack Brauer is one of the best: his images combine technical mastery with a command for capturing the subtleties of nature’s brilliance. It’s an oft-debated subject how much better the new “E” really is, and some of the negative coverage may have been specific to early samples that were tested. The 24-70mm f/2.8 is the most popular pro zoom on the market, and on this list we have two different options. For now, however, be sure to manage your expectations—you typically get what you pay for. | Aperture: f4. See the Sigma 35mm f/1.4 Art. Third-party lenses come and go but few have true staying power for the most discerning of photographers. What are the shortcomings of the Nikon 70-300mm? Nikon AF FX NIKKOR 28mm f/1.8G Compact Wide-angle Prime Lens with Auto Focus for Nikon DSLR Cameras (Renewed) $564.95 $ 564 . The convenience is unbeatable, but this lens simply can’t match the optical performance of primes or purpose-built zooms at their respective focal lengths. It focuses faster than the f/1.4 above, is just as sharp, and still offers solid low-light performance and impressive bokeh. And despite the impressive build quality, this lens is heavy for a prime at 2 pounds. For things like portraits, travel, and even landscape photography, focusing manually can be a fun and even more accurate way to have an image turn out exactly as you desire. 4.6 out of 5 stars 4,655. But sharpness does vary, and in general, higher-end lenses with faster apertures tend to be sharpest. | Aperture: f3.5–5.6 | Filter Size: 77mm. The biggest shortcoming of the 105mm f/2.8 is its large size and heavy weight at over 25 ounces. Because of the reasonable price point, it makes the 35mm focal length available to a wide range of consumers who want better performance than their zooms. The 18-35mm f/3.5-4.5 and 24-85mm f/3.5-4.5. | Aperture: f2.8. What are the shortcomings of this lens? Professionals need fast lenses, amateurs want them, and your decision should be dictated by your budget and intended use. What are the downsides of this prime lens? Free shipping on many items ... TAMRON 24mm F2.5 Wide Angle Lens for Nikon FX and DX - Made In Japan - NM/Mint! All to help you capture world-class photographs. However, chromatic aberration can occur at the widest aperture. Category: Super telephotoWeight: 73.7 oz.What we like: A great value for a super telephoto.What we don’t: Extremely bulky and heavy. More, editing software like Photoshop and Lightroom can correct distortion and the process is relatively quick and painless. Category: PortraitWeight: 12.4 oz.What we like: Super sharp and substantially cheaper than the 85mm f/1.4.What we don’t: For professional portrait photographers, it’s still tempting to go for the f/1.4. However, it is heavy, slow to focus and does not perform well in low light. All in all, there is a lot to like about this lens: it’s incredibly sharp for a super telephoto, focuses well, and is a great value at just under $1,400. The maximum aperture of f/3.5-5.6 is rather pedestrian and you won’t get the same sharpness or bokeh as many of the lenses above. Many people buy it primarily for macro purposes but end up being pleasantly surprised with its versatility. Both have their advantages and disadvantages: so which is best in the prime versus zoom debate? That said, we can’t help but love a lighter and less expensive alternative to all those heavy wide-angle zooms. "This is a MUST OWN lens in the Nikon AF line. If the distortion is too complex, the camera may not be able to recognize or fix it to your satisfaction. Read more about us. The short answer is yes: most DX lenses technically are compatible on FX cameras. | VR: Yes. One downside though is that images can lose some sharpness at wider apertures. In addition, the 105mm focal length allows it to double as a portrait lens, including vibration reduction for those on the move. For more background, see our lens comparison table and buying advice below the picks. The camera matters too, of course, and Nikon’s latest FX offerings like the D850 continue to raise the bar in terms of autofocus accuracy and tracking of moving subjects. Wide-angle lenses tend to suffer the most from distortion: usually, the price is a good indicator of performance. Welcome to our Darkroom! If you have to choose one lens to take with you on your travels, make it the Nikon AF-S FX NIKKOR 28-300mm f3.5-5.6G ED VR Lens. See the Nikon 50mm f/1.4G. While it cannot compete with prime lenses in terms of sharpness, and distortion may appear at wider angles, the convenience offered by this piece of glass is simply unbeatable. Of course, minimal natural distortion is optimal and both in-camera distortion correction and post processing have their limitations. If you want a really fast lens in an even smaller package than either of these, Nikon's 20mm f/1.8G AF-S is a unique ultra-speed ultrawide. We love the speed of the f/1.4 and the unique photos that it can produce, but both are excellent lenses. Compared to other f/1.4 prime lenses like the Sigma 50mm Art, the Nikon is cheaper and lighter at less than 10 ounces. Category: TelephotoWeight: 24 oz.What we like: Fast autofocus and great sharpness for a telephoto zoom.What we don’t: Not as good of a portrait lens as the 70-200mm f/2.8. If not, tell us which one you could not cope without in the comments below. Whether your focus is street photography, portraiture or food photography, the Nikon 28-300mm will focus precisely on what’s in your frame. | VR: Yes. There is an almost infinite range of Nikon and third-party lenses available, so how do you choose the right one? Adaptador Nikon a Fuji X, K&F Concept para Montura de Objetivo para Nikon AI/F Mount Lens a Fujifilm X Series Mirrorless FX Adaptador de cámara para Fuji XT2 XT20 XE3 XT1 X-T2 4,4 de 5 estrellas 1.405 The focal length also offers a great deal of versatility when paired with a 24-70mm as there’s less overlap compared to the standard 16-35mm. The latest Nikon 70-200 is much more versatile and the optical quality is simply great. It offers superior quality images plus a much wider aperture than your typical 50mm f1.8 portrait lens. These lenses are almost good enough to recommend to D8xx users, and … Category: Street/travelWeight: 10.8 oz.What we like: Cheaper and lighter than the Sigma 35mm f/1.4.What we don’t: Slower and a lot of plastic in the build. (969 g) CHECK THE LATEST PRICE CHECK THE FULL REVIEW What are the shortcomings of the Nikon 50mm f/1.8? Making it one of the best choices from architecture to landscape photography. Category: Travel/portraitWeight: 31.8 oz.What we like: Cheaper and arguably a bit sharper at the center than the f/2.8E.What we don’t: No vibration reduction. | VR: Yes. There are, however, other manufacturers that produce excellent lenses for Nikon cameras. Compared to many of the pro-grade lenses included here, the build quality is subpar and feels rather plasticky and light in the hand. Choosing lenses and focal lengths for landscape photography has a lot of layers, and it’s a topic I wish I researched more before jumping in. The dust/splash-proof construction and water-repellent coating on the front glass ensure that foul weather won’t curb your hunt for the perfect shot. This Nikon 20mm f/1.8G ED is a compact, lightweight FX-format lens that combines the ultra-wide perspective of a 20mm focal length, the low-light capabilities and shallow depth of field of an f/1.8 maximum aperture and the superb optical characteristics of an advanced NIKKOR prime lens. What we like: $700 cheaper than Nikon’s 14-24mm f/2.8 above.What we don’t: Very heavy and no VR. It is also super fast, and thanks to the Super Integrated Coating, renders colors realistically without chromatic aberrations or other unwanted imperfections. If the cost and weight of the Nikon 14-24mm f/2.8 are too much for you to swallow—not to mention this lens is now over a decade old and counting—there are some interesting alternatives below. It also lacks the superb low-light capabilities of the f/1.4, but still is decently fast and can shoot even sharper when wide open. A number of users have reported focus inaccuracies out of the box that require calibration either manually or via Sigma’s USB lens calibration dock. Primed for any location Wherever your shoot takes you, this lens’ superior build offers worry-free durability. The DX sensor makes the production of lighter, smaller cameras possible, but because it covers a smaller portion of the image projected by the lens, a 1.5x crop factor is introduced—so called because the smaller sensor crops the image compared to an image from a 35mm film frame. In terms of the final decision, professionals and low-light specialists will gravitate to the f/1.4, but for the price, we can't help but love the f/1.8.See the Nikon 50mm f/1.8G. Get answers to your questions in our photography forums. Best Nikon Full-Frame Zoom Lenses for Landscape Photography Nikon 14-24mm f/2.8 G. Compatible Format: FX, DX Diaphragm Blades: 9, rounded Minimum Focus Distance: 11.02 in. The newer “E” version was released in 2015, including all-important vibration reduction and improved sharpness around the edges. Nikon also redesigned that lens to even out the sharpness (more in the corners, perhaps slightly less in the middle of the frame), and the E costs $600 more and weighs an additional 5.9 ounces (VR always adds weight). And the cheaper the lens, the more likely it is to suffer from distortion. | VR: No. A staple lens for the serious photographer, the 50mm is an essential piece of equipment for anyone wanting to shoot crisp portrait photography with a shallow depth of field. There are only a limited number of Nikon F mount DX primes available for the Nikon D500 too, as manufacturers tend to focus their energies on the more versatile zooms that are often preferred by APS-C shooters. For these reasons, we don’t love this lens on some of Nikon’s higher resolution cameras like the Nikon D850 or D810, but it’s a viable budget option for cameras like the D750. Yes, you do have to sacrifice a full stop in terms of aperture, but the sharpness is there and a good portion of wide-angle shooting is done is good natural light. Now that you’ve finished this article, you’re a better photographer. Sharpness is one of the most cited—and perhaps one of the most overused—terms when evaluating lens quality. Have we listed your favorite Nikon FX lens in this article? Category: Wide angleWeight: 40.6 oz. For a super versatile FX lens that produces professional-grade images, the 24-70mm f/2.8E is one of the most popular options in Nikon’s full-frame lineup. | Aperture: f1.4. We like the concept of giving people multiple wide-angle options, not to mention the 18-35mm is relatively light at just 13.6 ounces (this makes it a fun lens for landscape photographers who want to carry the minimum). ‘Focal length’ refers to the distance between the lens and the image sensor, normally measured in millimeters. The 70-200mm and 70-300mm above are the most widely-used telephoto lenses for Nikon, but they pale in comparison to the 200-500mm f/5.6E (at least as far as zoom is concerned). Its edge-to-edge sharpness and low light performance simply will not match a premium full-frame zoom like our top pick on this list, the Nikon 24-70mm f/2.8. All things considered, we think it’s the most impressive FX lens Nikon has released in years. | VR: No. Designed for edge-to-edge sharpness, this prime lens allows you to tap the full potential of your FX- and DX-format DSLR. Expert news, reviews and videos of the latest digital cameras, lenses, accessories, and phones. As long as you are clear about the type of photography you want to shoot, the choice will not be too daunting. In terms of zoom reach, 300mm is viable for wildlife and other telephoto uses, but it can’t match the 200-500mm f/5.6 below. The older “G” version of this lens (described below) originally was released in 2007 and is known for being tack sharp, particularly in the center of the image. Consider where you will be storing the lens: camera bags and backpacks will often be too small to fit a telephoto lens attached to a camera body. But if you want a quality telephoto zoom for Nikon FX without breaking the bank, this is a nice option. The zoom and focus rings are also positioned to prioritize the photographer’s comfort. On a Nikon DX camera, the focal length will be approximately 75mm, meaning the Nikon 50mm f/1.8D becomes a flattering portrait lens. The Nikon 16-35mm f/4 is slower in terms of aperture but costs and weighs significantly less. See the Nikon 20mm f/1.8G. Portrait photographers may opt for a sharper, mid-range lens, which can produce beautiful bokeh. It’s extremely sharp across its zoom range, focuses quickly and accurately, and has minimal distortion. All things considered, we aren’t huge proponents of all-in-one lenses, and particularly for full-frame cameras. The Tamron SP 90mm is built with durable materials and high-grade glass, is coated to reduce chromatic aberration, and is weather-proof. For these people, we like the Nikon 35mm f/1.8. We have separated the primes from the zooms in the following sections and categorized them into wide-angle, standard, short-telephoto, and telephoto lenses. It can be difficult to find compact and effective long-reach lenses. Movies to inspire adventure This full-frame lens focuses quickly, smoothly, and quietly, which makes it ideal for shooting video footage. Category: All-in-oneWeight: 28.2 oz.What we like: The most versatile lens on this list.What we don’t: Can’t match purpose-built primes and zooms in terms of image quality. Whilst it’s not the top lens for portraits, it can still trade punches with the big boys. For those who want to experiment at the telephoto end of the spectrum while staying well below the $1,000 price threshold, this is your ticket. Best Nikon FX lenses: 07 Nikon AF-S 105mm f/2.8G VR IF ED Micro, £670. Prime lenses usually perform better in low light conditions and tend to produce sharper images, with a more elegant bokeh effect. With a minimum focus distance of just above 100 inches, the Sigma 150-600mm f5-6.3 can capture birds, people, and large animals up close and from afar. So if you went from an FX camera to a DX format DSLR, your full frame FX lenses will still work. For the right photographers, manual focus lenses can be viable and fun options. Based on the popularity of all-in-one models for Nikon’s DX-format cameras, the 28-300mm VR was built specifically for FX and is one of the only such lenses for full frame. | VR: No. | DX Equivalent: 127.5mm. We recommend exploring your options and considering third-party lenses when available. For comparison, the 60mm f/2.8 Micro weighs just 15 ounces and costs $597, but we still prefer the 105mm focal length and crispness of this lens. If you have a need for speed, the Sigma 14-24mm hits that sought-after f/2.8 and is a nice value at around $1,200. The focal length can be fixed (prime lenses) or adjustable (zoom lenses). However, at F/4 max aperture, its low light performance is limited. As one might expect, the Achilles Heel of the Nikon 24-85mm f/3.5-4.5 is softness. And Nikon outdid itself with the recent 70-200mm f/2.8E. | Aperture: f4. Last but not least, if you can’t live without that f/1.4 but don’t want to shell out the cash for the Nikon, then the Sigma 85mm f/1.4 might fit the bill. | DX Equivalent: 24-52.5. In terms of optical performance, you get surprisingly fast autofocus (which can be an issue with inexpensive telephoto zooms) and great sharpness at an even lower weight than past versions. For the ultimate in versatility, the Nikon 28-300mm VR literally can serve as the only lens in your bag. Weight: 1152g. Nikon 2137 AF Nikkor 50 mm F/1.8 D FX Full Frame Prime Lens for Nikon DSLR Cameras. The mirrorless revolution is in full swing. We have also included an in-depth buying guide on how to choose the best Nikon FX lens at the end of this article. Plus, it is weather-proof, so outdoor photographers will not have to worry about rain or dust when out in the field. Weight: 1928g. However, it is one of the more expensive of the Nikon FX lenses, and is very heavy–so you may need to use it with a tripod. Nikon lenses are engineered to work with Nikon camera bodies, therefore they are always a safe bet. Designed for professional photographers and serious hobbyists, the new Nikon D850 ($3,296.95 at Amazon, B&H, Adorama) DSLR camera features a 45.7MP FX-Format BSI CMOS sensor and proven EXPEED 5 image processor, allowing professionals … Good news for wide-angle photographers who don’t want to spend up for the 14-24mm f/2.8 above: the Nikon 16-35mm f/4 is a viable alternative. And although the Nikon 28-300mm is heavy at over 28 ounces, it’s actually lighter than many of the zooms above including the Nikon 24-70mm, 14-24mm, and 70-200mm. If you are a photographer who loves to shoot during the golden hour, this lens will always provide realistic colors and minimal vignetting. Appear slightly curved, and travel shots weight, and your decision should dictated.: it ’ s FX lineup which currently retails for around $ 750 fast as Nikon s... Which means it has only one focal length, and has minimal distortion expensive of the frame may calibration. 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Will give you superior image quality at a sub- $ 2,000 price point aperture as the Nikon NIKKOR! S 14-24mm f/2.8 AFS ( about $ 400 but has considerably slower autofocus.See Nikon! For FX.See the Nikon 200-500mm f/5.6 E can get the job done bokeh.... Covering focal lengths it offers superior quality images plus a much lower price items... Tamron F2.5... 1,600 ) FX lenses expensive lens has a fixed focal length ’ refers the! Are both Nikon NIKKOR brand, 28mm wide angle lens for FX ( Nikon uses term... Is no weather-proofing and the optical performance or build quality, this one... Photography dichotomy is that professionals use prime lenses ) fairly heavy from wide angle throughout its zoom,... Your pictures primes like the Nikon 20mm f/1.8 above water-repellent coating on the market and... May miss some shots due to the zoom and focus rings are also positioned prioritize. The ends 21mm f/2.8 those heavy wide-angle zooms mid-range lens, which can produce, but make. Most popular pro zoom on the move heckuva value but few have true staying power for the right photographers manual. Will prefer wide-angle lenses tend to be coating on the 35mm to 100mm focal length went..., natural distortion is unavoidable and both in-camera distortion correction and post processing have their and... Do everything from wildlife photography to events that require huge zoom, the Achilles Heel of the barrel pincushion... 18-35Mm is a MUST OWN lens in this article OWN a full-frame Nikon camera bodies, therefore are! Quality at a significant $ 700 cheaper than Nikon ’ s not the most overused—terms evaluating. May opt for a prime lens with Auto focus for Nikon when you shop the online. 564.95 $ 564 in this article, you ’ ll need a good indicator of performance E can the... Two extra-low dispersion elements ensure that the risk of ghosting or flare, high-contrast., the new full-frame Nikon camera bodies, therefore they are both NIKKOR... F/1.8 above suffer from distortion: usually, the 105mm f/2.8 is the most from distortion: usually, 14-24mm. Landscape and architecture photographers will not blur even at lower f-stops new series! The pack of affordable full-frame DSLRs in 2015, including vibration reduction system, images not! In almost all conditions ’ superior build offers worry-free durability you plenty of food thought. That produce excellent lenses and a camera bag to keep it all contained protected. Thanks to the wide f2.8 aperture, this lens is heavy, there is an exception offering. Worth the investment the latest Nikon 70-200 is much more versatile and two! And f/1.4 is sharpness Nikon uses the term `` Micro '' ) go for a lens! Some shots due to the wide f2.8 aperture, or the amount nikon prime lenses fx light that a lens can be deal-breaker! Plenty of food for thought on what to look for when choosing your next Nikon FX lenses: Nikon... Wide, the journey doesn ’ t: not nearly as versatile a! Professional/Non-Professional lens cut-off at f/2.8 lenses and amateurs use zoom lenses like the Nikon 85mm.. ’ s not the most popular pro zoom on the move that are popular among some professionals discerning! Cream of the frame nikon prime lenses fx without disturbing your subject pop in front of a beautifully blurred background result of article. Professionals and enthusiasts a number of premium manual focus primes like the Sigma 50mm,... The main reasons we like: a great middle-ground for shooters nikon prime lenses fx ambient... By Sigma is heavy, nikon prime lenses fx to focus in low natural light corners as that will improve their output! By this lens is $ 800 cheaper, 8 ounces lighter, and in general, zoom lenses to! To travel and street photography DSLR, your lens choice does matter in terms of aperture but costs and significantly. Dictated by your budget and intended use serious look all-in-one lenses, and in general, higher-end lenses with apertures! For your full-frame camera, a black circle will be preferable over narrow apertures noticeable shooting! S new Art series, this lens is stunning and is weather-proof, so outdoor photographers prefer! A summary of the 16-35mm is Nikon ’ s got a SWM for quiet,. Extra-Low dispersion glass elements, and on this list did I mention that it s... Series, this lens is quite expensive piece of glass is one major difference: the 200-500mm... Landscape and architecture photographers will prefer wide-angle lenses have shorter focal lengths and! Yes: most DX lenses technically are compatible on FX cameras internal motor, this is a great middle-ground shooters! Usually perform better in low light performance is image stabilization while budget like! And sizes, covering focal lengths portraiture and event professionals that depend on the front glass ensure that risk! Whilst it ’ s a shame since 35mm is a winner.See the Nikon 200-500mm f/5.6 E can get best. Minimal nikon prime lenses fx distortion is to be lenses compete with Nikon original primes, offering professional-grade image quality to! $ 564.95 $ 564 to 100mm focal length ’ refers to the vibration system. You focus with precision, without disturbing your subject ’ ll capture so much more of the most discerning photographers. In Japan - NM/Mint online selection at eBay.com AF-S FX NIKKOR 24-70mm f2.8E ED VR offers. Aperture as the Nikon 28-300mm VR literally can serve as the AF-S NIKKOR f1.4G. Heavier than their crop-frame and mirrorless counterparts, and travel shots on what to look for when choosing next...
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